20:1:1Agatha's motherOh Agatha, I was in such a horrible place.

20:2:1AgathaIs that blood?

20:2:2Agatha's motherI think so.

20:2:3Agatha's motherYes.

20:3:1AgathaI can't take this all over again, mother.

20:3:2MichaelHoney.

20:4:1MichaelJust look at the state of her. I'll go fetch some clothes, okay?

20:4:2AgathaYes, please.

20:5:1Agatha's motherAre you back with him?

20:5:2AgathaIt's none of you concern.

20:5:3Agatha's motherWe'll see. Right now we have to call the police.

20:6:1AgathaYou don't understand...

20:6:2AgathaThere's no need to cal the police.

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Panel 1. Agatha’s mother sits comfortably in a three-seated a sofa. Agatha sits in a small chair in front of her mother, looking straight at her bloodied hands. The blood is dry and black. Between them, there is a glass table with a glass of water and a flower jar. The setting mirrors page 2, panel 1, the roles reversed.

AGATHA’S MOTHER Oh Agatha, I was so worried. I was in such a horrible place.

AGATHA Is that blood?

AGATHA’S MOTHER I think so. Yes.

Panel 2. Agatha gives a scornful glare at her defenseless mother.

AGATHA Mother, what have you done this time?

MICHAEL (OP) Honey.

Panel 3. Agatha’s mother turns to see Michael, the man that was lying next to Agatha when she called in page 13. He stands in the stairs, coming down to the living room.

MICHAEL Look at the state of her. I'll go get her some of your old clothes, OK?

AGATHA Yes, please.

Panel 4. Michael leaves. Agatha’s mother purposely ignores his departure, showing disappointment in seeing him again. Agatha is even more distant.

AGATHA’S MOTHER Are you back with him?

AGATHA It’s none of your concern.

AGATHA’S MOTHER We’ll see. Right now we have to call the police. I remember something bad happened in that horrible place.

Panel 5. Agatha looks down, uncomfortable, holding her head with her hands.

AGATHA There is no need to call the police.

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